Porcelain Madness: Difference between revisions

From Porcelain Madness
Jump to navigation Jump to search
(text)
(add img)
Line 20: Line 20:
File:Warwick-B-and-W-Culbertson-Hills-Dessert-Plate-1930.jpg|Here's a beautiful 6-inch black-and-white desert plate made by Warwick for the Culbertson Hills Golf Course in Edinboro, Pennsylvania in 1930, the year it opened. The artwork and lettering are superb -- and the same uncredited artist also produced a gorgeous matching brochure for the country club. I love lettering, i love art deco line art, i love cumulus clouds in art (and these are amazing clouds!) ... but i don't love the Culbertson Hills Golf Course, which advertised that it was "open to the pubic under restrictions which the company imposes, of course" -- specifically, that membership was offered "only to Gentile people." In other words, no Jews were allowed -- and neither were African Americans. I have no idea if or when Culbertson Hills changed its racial and religious exclusion policies, but this beautiful plate remains a symbol of the finest commercial art of its time, in the service of the ugliest discrimination of its time.
File:Warwick-B-and-W-Culbertson-Hills-Dessert-Plate-1930.jpg|Here's a beautiful 6-inch black-and-white desert plate made by Warwick for the Culbertson Hills Golf Course in Edinboro, Pennsylvania in 1930, the year it opened. The artwork and lettering are superb -- and the same uncredited artist also produced a gorgeous matching brochure for the country club. I love lettering, i love art deco line art, i love cumulus clouds in art (and these are amazing clouds!) ... but i don't love the Culbertson Hills Golf Course, which advertised that it was "open to the pubic under restrictions which the company imposes, of course" -- specifically, that membership was offered "only to Gentile people." In other words, no Jews were allowed -- and neither were African Americans. I have no idea if or when Culbertson Hills changed its racial and religious exclusion policies, but this beautiful plate remains a symbol of the finest commercial art of its time, in the service of the ugliest discrimination of its time.


file:xxx.jpg|A lovely green stripe restaurantware lunch plate with classic 1920s - 1930s lettering, made by Shenango for Joe's Snappy Service, a Michigan eatery of years gone by. Photo credit: Susan Phillips of the Restaurant Ware Collector's Network.  
File:Joes-snappy-service-green-stripe.jpg|A lovely green stripe restaurantware lunch plate with classic 1920s - 1930s lettering, made by Shenango for Joe's Snappy Service, a Michigan eatery of years gone by. Photo credit: Susan Phillips of the Restaurant Ware Collector's Network.  


File:Shenango-Mobil-Flying-Pegasus-1980s-blue-red.jpg|A red, white, and blue tea cup and saucer made for the Mobil Oil company, featuring their iconic Red Pegasus logo. This was used in one of their many cafeterias, either on land or on an oil rig offshore. The pottery company is Shenango, the time ... mid-20th century, probably the 1980s.
File:Shenango-Mobil-Flying-Pegasus-1980s-blue-red.jpg|A red, white, and blue tea cup and saucer made for the Mobil Oil company, featuring their iconic Red Pegasus logo. This was used in one of their many cafeterias, either on land or on an oil rig offshore. The pottery company is Shenango, the time ... mid-20th century, probably the 1980s.

Revision as of 22:50, 10 November 2024

Welcome to Porcelain Madness, a decorative annex to The Mystic Tea Room, where every piece of chinaware tells a story.