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File:Warwick-B-and-W-Culbertson-Hills-Dessert-Plate-1930.jpg|Here's a beautiful 6-inch black-and-white desert plate made by Warwick for the Culbertson Hills Golf Course in Edinboro, Pennsylvania in 1930, the year it opened. The artwork and lettering are superb -- and the same uncredited artist also produced a gorgeous matching brochure for the country club. I love lettering, i love art deco line art, i love cumulus clouds in art (and these are amazing clouds!) ... but i don't love the Culbertson Hills Golf Course, which advertised that it was "open to the pubic under restrictions which the company imposes, of course" -- specifically, that membership was offered "only to Gentile people." In other words, no Jews were allowed -- and neither were African Americans. I have no idea if or when Culbertson Hills changed its racial and religious exclusion policies, but this beautiful plate remains a symbol of the finest commercial art of its time, in the service of the ugliest discrimination of its time.
File:Warwick-B-and-W-Culbertson-Hills-Dessert-Plate-1930.jpg|Here's a beautiful 6-inch black-and-white desert plate made by Warwick for the Culbertson Hills Golf Course in Edinboro, Pennsylvania in 1930, the year it opened. The artwork and lettering are superb -- and the same uncredited artist also produced a gorgeous matching brochure for the country club. I love lettering, i love art deco line art, i love cumulus clouds in art (and these are amazing clouds!) ... but i don't love the Culbertson Hills Golf Course, which advertised that it was "open to the pubic under restrictions which the company imposes, of course" -- specifically, that membership was offered "only to Gentile people." In other words, no Jews were allowed -- and neither were African Americans. I have no idea if or when Culbertson Hills changed its racial and religious exclusion policies, but this beautiful plate remains a symbol of the finest commercial art of its time, in the service of the ugliest discrimination of its time.


File:Green-Cross-Transferware-Waste-Bowl.jpg|Green Circle-in-Cross Transferware Bowl, made in England, 19th century. I bought this piece low-fire earthenware (not my usual semi-vitreous ware) because i am a fan of green-and-white ware (who isn't?) and the circle-in-cross is part of my own signature. Also, it is in the Aesthetic genre, wwhich i love. I suppose it to be late 19th century.  
File:Green-Cross-Transferware-Waste-Bowl.jpg|Green Circle-in-Cross Transferware Bowl, made in England, 19th century. I bought this piece of low-fire earthenware (not my usual semi-vitreous ware) because i am a fan of green-and-white ware (who isn't?) and the circle-in-cross is part of my own signature. Also, it is in the Aesthetic genre, which i love. I suppose it to be late 19th century.  


File:Carr-Vitrified-China-Ad-Plate.jpg|Carr Vitrified China Advertising Butterpat. Sample butterpats were given away by restaurantware manufacturers during the inter0war period. This one is just a bit oversized for the usual butterpat, but it is certainly too small to qualify as a plate.  
File:Carr-Vitrified-China-Ad-Plate.jpg|Carr Vitrified China Advertising Butterpat. Sample butterpats were given away by restaurantware manufacturers during the inter-war period. This one is just a bit oversized for the usual butterpat, but it is certainly too small to qualify as a plate. It probably dates to the late 1930s.  


File:Grimwades-Pudding-Cooker-Lid.jpg|Grimwade's Pudding Cooker, Lid, made in England.
File:Grimwades-Pudding-Cooker-Lid.jpg|Grimwade's Pudding Cooker, Lid, made in England.

Revision as of 20:48, 10 November 2024

Welcome to Porcelain Madness, a decorative annex to The Mystic Tea Room, where every piece of chinaware tells a story.